auteur du jour: coming to a blog near you

Now that the most intense finals period and the most intense term at Carleton College in the history of the author has been survived, here at The Semioptician, we the editorial staff are happy to announce that break is over!  Or at least, the break from blogging. 🙂

And what better to inaugurate our triumphant return than the introduction of a new and exciting ongoing series, intended to educate and inspire both the author and her readers?

Yes, “Auteur Du Jour” has finally arrived.

A few words on the genesis of this (hopefully ongoing!) project: basically, when I am freed from the shackles of academia by such things as Thanksgiving Break (and believe, I gave thanks like never before), I tend to waste no time in becoming self-incarcerated — that is, filling in the holes in my education as a budding filmmaker, film theorist, feminist, and philosopher.  As I mentioned last month, there are a staggering number of films that I haven’t seen that I believe that I ‘ought to’ as a Cinema and Media Studies major, so the last several days have been a picture of happiness and personal growth centered on me curled up with my favorite laptop and my subscription to Netflix.  And what I realized is that the way I go about structuring my viewing becomes almost by default centered on filmmakers — I’m in the midst of a massive Woody Allen kick, a did a day of Godard, I could spend a week watching Jarmusch over and over and feel totally fulfilled.  I also realized that this is an even more applicable (almost necessary) approach to ‘educating’ oneself about the avant-garde and experimental cinema, where the independent and artisanal tendencies of the medium enforce an auteur theory unto themselves.  And between the mainstream and the avant-garde, there are plenty of filmmakers (Andrew Sarris can come over here and debate their status as auteurs with me if he feels like it) whose work I want to acquaint myself with in a more comprehensive way.

Thus, like every good little academic, I’m going to write about it, and share each new authorial exploration here — hopefully those of you who are interested in film will find out about some filmmakers you didn’t know, or find out things you didn’t know about the filmmakers you thought you knew, and those of you who aren’t interested in film will be interested enough in my learning process to hang on, because in that case you’re probably a close friend or my mother.  (But I know you’re interested in film, too, Mom.)  It will likely be a bit sloppy, as is the nature of the auto-didact’s endeavors, but it should be the fun kind of sloppy.

So tomorrow, I will prove Roland Barthes wrong and revive the author with my first installment, an introduction to the fascinating, raunchy, deliciously linguistic and theoretical work of Peggy Ahwesh!

Stay tuned, kiddos.

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